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RECAP: Google & Music Industry Spar Over Piracy Report, Apple Wants To Simplify Licensing, Crowdmix Goes Bust

Posted by Glen Sears | July 18, 2016 9:42 am | No Comments

googlepiracy

Story of the Week

“How Google Fights Piracy” Report Makes Youtube, Search Defense
Google has published a new version of its ‘How Google Fights Piracy Report.’ It’s the third revision in four years for the report, which makes the company’s defence against creative industry attacks on its approach to copyright, from user-generated content on YouTube to piracy sites’ ranking on Google’s search engine.

“Google takes the challenge of online piracy seriously – we continue to invest significant resources in the development of tools to report and manage copyrighted content, and we work with other industry leaders to set the standard for how tech companies fight piracy.”

Some new figures: there are now more than 50m active reference files in the Content ID database, and more than 8,000 partners using the system – “a 38% increase since our 2014 report”. Meanwhile, Google says that 98% of copyright issues on YouTube are resolved using Content ID, with 90% resulting in monetisation for the original rightsholder.

Read the full story on Music Ally.

Top Music News Stories

BPI and IFPI Say Google’s Fight Piracy Report is ‘Greenwash.’ “Although we welcome the measures Google has taken so far, it is still one of the key enablers of piracy on the planet. Google has the resources and the tech expertise to do much more to get rid of the illegal content on its services.”

YouTube’s Payment Rate to Labels Halved in 2015, Analyst Finds. According to findings by Midia Research provided to the Financial Times, the site increased payments to rights holders by 15 percent last year (to $740 million), but at the same time streams on YouTube and Vevo jumped 132 percent, totaling 751 billion.

Apple Proposes Simplified Statutory Licensing Scheme to D.C. The company’s proposal to the Copyright Royalty Board suggests a simple, “all-in” statutory rate that would be “fair, simple and transparent, unlike the incredibly complicated structure that currently exists” — a rate of $0.00091 per interactive stream, or 9.1 cents per hundred plays.

Indie Music Trade Groups A2IM, AIMP, CMPA Issue Joint Response To DoJ 100% Licensing Position. Condemnation of a new U.S. Department of Justice position allowing 100% licencing of songs has been nearly universal within the music publishing community.

Songwriters: The DOJ Got It Right. Your Sky Is Not Falling. Jody Dunitz, ex-EVP of Sony/ATV Music Publishing, calls 100% licensing “another gift from the DOJ to songwriters.”

Omnifone Business and Assets To Be Sold For $10M To Mystery U.S. Firm. The administrator’s report also outlines the key moments in Omnifone’s slide into administration, including the cancellation of contracts with Sony and SiriusXM, as well as another client, streaming service Guvera – currently facing troubles of its own – stopping paying Omnifone for its services.

Quick Take: Crowdmix Bites The Dust. Analyst Mark Mulligan claims Crowdmix failed because “music is fundamentally not important enough to enough people to build any sort of scale of social network around it.”

VKontakte and Universal Music Near Licensing Deal. The leading Russian business daily Vedomosti quoted two people close to the negotiations as saying that a deal between VKontakte and UMG could be signed within days, covering, in addition to VKontakte, Mail.ru Group’s two other social networks, Odnoklassniki and Moi mir.

U.S. Teens Love On-Demand Music Streaming — Especially YouTube. The Music Business Association claims that for this age group, on-demand streaming accounts for 51% of their daily listening time, compared to 20% for downloads/files, 12% for AM/FM radio and 9% to internet radio like Pandora.

Our best wishes for a great week! – MediaNet

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RECAP: U.K. Digital Economy & Piracy Reports, Rdio Goes After Sony, Spotify May Abandon Freemium

Posted by Glen Sears | July 11, 2016 10:02 am | No Comments

uk-parliment-english-government-placeholder

Story of the Week

U.K.’s Digital Economy Bill Introduced, Would Allow Retransmission Fees
The U.K. government on Tuesday unveiled its Digital Economy Bill, which includes a part that could pave the way to U.S.-style retransmission consent fees and which wants to make the U.K. “the most digital nation in the world.”

The new bill also includes measures designed to strengthen protections for citizens. Among others, it will “protect children from online pornography by requiring age verification for access to all pornographic sites and applications” and “increase the sentencing options for people who infringe [on] copyright laws online, bringing sentences into line with the current penalties available for ‘physical infringement’.”

“We have consistently called for major pay-TV platforms to pay U.K. public service broadcasters (PSBs) fairly for the ‘transmission’ of their channels ending what is effectively a multi-million pound subsidy — and this is clearly a welcome first step in that direction,” an ITV spokesman said. “This is simply about ITV, and other PSBs, being paid fairly for their investment in original U.K. content so that we can continue to invest in the programs viewers love.”

Read the full story on Billboard.

Top Music News

Concerns Loom Over U.K. Music Business’ Future in Wake of Brexit Vote. Two weeks on from the U.K.’s historic decision to leave the European Union, no one is any the wiser about what or how big an impact it will have on the nation’s economy, 64 million population or future.

YouTube Leads Music Consumption While Piracy Dips, According to U.K. Government Survey. An estimated 78 million music tracks were accessed illegally online in the United Kingdom in a three month period, but levels of digital piracy are gradually beginning to decline, according to new research from the U.K.’s Intellectual Property Office (IPO).

What the Dept. of Justice’s Decision Means for Music Publishing. Almost everyone in the music-publishing business has expressed frustration with the Department of Justice’s recent decision not to amend the antitrust consent decree, but they don’t seem to agree on how this decision will affect the music industry — or even exactly what it means.

Sony Music Investigated by Rdio for Alleged Collusion in Streaming Music. The label responds that the suggestion of antitrust violations are “nothing but speculation and conjecture” and pretext for avoiding $17 million claims plus allegations of fraud.

Soundcloud Aims Straight At Spotify, Apple Music With “Artist Stations.” “The algorithm behind Stations serves content in a different way than the Suggested Tracks feature we recently launched — Stations serve a longer queue of songs that are a mixture of similar, new, and popular tracks related to the track or artist you started the Station from, for an experience closer to listening to the radio.

Users Leave Apple Music 3X Faster Than They Do Spotify. Apple Music has a problem with users dropping the service called their churn rate – “the annual percentage rate at which customers stop subscribing to a service” – and Apple Music’s is three times that of Spotify.

The End Of Freemium For Spotify? Analyst Mark Mulligan argues “that mid-priced subscriptions are crucial to driving the streaming market, and the burgeoning success of Spotify’s mid-priced-subscriptions-by-stealth strategy provides a bulging corpus of supporting evidence.”

Our best wishes for a great week! – MediaNet

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RECAP: Apple Makes News With Spotify & TIDAL, U.S. DOJ Imposes New Regulation on Songwriters

Posted by Glen Sears | July 5, 2016 9:59 am | No Comments

JayZ

Story of the Week

Apple In Talks To Buy Tidal Says Wall St. Journal, But New York Times Says ‘No Way’
Apple is in talks to acquire Tidal, the Wall Street Journal blasted late last week; and hours later re/code sources confirmed the conversations. But respected New York Times music journalist Ben Sisario quotes his sources as saying that Apple has no intention of purchasing Jay Z’s music streaming service.

Whoever turns out to be right, Apple buying Tidal is an intriguing concept. For both sides, the pros would seem to outweigh the cons. This would not be the first time that bad feelings and bravado have been overcome by a big check.

Read the full story on Hypebot.

Top Music News Stories

TIDAL Subscriber Count Significantly Lower Than Expected. A chart from analytics firm Statista show it with only 3 million subscribers.

Spotify Says Apple Won’t Approve New version of App Because It Doesn’t Want Competition. The firm says Apple turned down a new version of the app while citing “business model rules” and demanded that Spotify use Apple’s billing system if “Spotify wants to use the app to acquire new customers and sell subscriptions.”

Justice Department Won’t Alter Music Industry Royalty Rules. Justice Department lawyers told representatives of Ascap and BMI that the two groups, called performing rights organizations, must adopt a policy known as “100 percent licensing,” which means that any party that controls a part of a composition can issue a license for the use of the whole thing.

Global Music Market Expected To Grow Over The Next 5 Years. The market growth is attributed to the rising number of vendors and their expanding reach in developing markets, the popularity of concerts, growing number of music schools, and prevalence of digital music formats.

Music Is Almost As Important As Coffee For Monday Morning Motivation, Says New Survey. A new Spotify Ipsos survey, conducted in the US, Australia, Brazil, France and Sweden, found that music is just as likely as caffeine to motivate people on a typical Monday.

Our best wishes for a great week! – MediaNet

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Have questions about how Medianet can help your digital music business? Ask us here. Want a topic or insight published on this blog? Ask us here. Other questions or comments? Let us know!

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